Essay on Twelfth Night A Gender-Bending Journey - 1574 Words

Twelfth Night: A Gender-Bending Journey Shakespeare enjoyed writing passionate plays about young lovers, but, after a while, the formula became exhausted and the Bard was forced to dig deeper, creatively speaking. Twelfth Night is an example of a Shakespearean love tale with a slight twist to keep things interesting. This play was the â€Å"Tootsie† of its time. Twelfth Night takes the audience on a gender-bending journey, while maintaining all the elements of true love throughout. At one point, Olivia wears a disguise in order to take on the traditionally male role of wooing her romantic interest, Cesario, who is also disguised. Although Olivia flirts with Cesario and tells him that his â€Å"scorn† only reveals his hidden love, she is†¦show more content†¦Yet, Olivias attraction seems to stem exactly from the more feminine characteristics like Cesarios beautiful scorn and angry lip (136-137). Olivias words allow an audience, particularly a modern one, to perhaps read her as suspecting or even knowi ng that Cesario is female, yet choosing to love him/her anyway. Olivias description of Cesarios beauty, both here and upon their first encounter, praises typically feminine qualities, but curiously doesnt question Cesarios gender. The comparison of love to guilt tempts the readers mind to wonder if Olivia is guilty about her love for such female attributes. Olivias oath on maidenhood also tempts the reader toward a lesbian reading by hinting that Cesario would also understand maidenhood (141). When Olivia declares that not even wit nor reason(143) can hide her passion, she suggests that she would love Cesario even if it were against logic, as a same sex couple would be. Despite the unacceptability of a same sex romance in Shakespeares time, the hints toward this reading seem visible enough to have been thought of then as well as today. Although probably not intended to the extent of a lesbian courtship, the situation of a woman wooing another woman presents a comical picture for the audience, perhaps even more so in the Elizabethan era with two m ale actors wooing each other as women.Show MoreRelatedProject Managment Case Studies214937 Words   |  860 Pagesneither one has authority over the other, but let s say there is a situation where the two of them disagree as to either direction or quality of work. That puts the functional employee in an awkward position. Any employee will have the tendency of bending toward the individual who signs his or her promotion and evaluation form. This can influence the project manager into recommending an evaluation below par regardless of how the functional employee performs. There is also the situation where the employee

Singing Of The Rain A Musical Romance - 1094 Words

Patricia Totman Susan Ascher HUM-2249-03Z 7, April, 2016 Singing in the Rain: A Musical Romance The Titusville Playhouse presented a captivating adaptation of Gene Kelly’s â€Å"Singing in the Rain†, a 1952 film by MGM. Though there are quite a few differences between the original film and the theatre adaption, the heart of the play sings true to the plot of the film. Having seen the film and clips of the Broadway versions myself, I can say that the Titusville Playhouse did a remarkable job in their rendition of Singing in the Rain. I was enthralled by everything, from the plot and dedication to the theme, characterization of the cast, to all that encompassed the Mise en scene. The plot of Singing in the Rain combines a delightful stew of romance, comedy, song and dance. The play is set in 1927, at a turn in the film industry from silent film to sound, and is centered around Don Lockwood, Lina Lamont, and Kathy Selden. The main characters are played, respectively, by Patrick Sullivan, Laura Mansoon, and Tiffany Trill. Don and Lina are a rather famous, yet fake celebrity couple. They forge a sham relationship for the sake of good publicity. In actuality, Don is not at all interested in Lina, though she believes the relationship to be genuine. The production company both Don and Lina work for decide, despite lack of technical knowledge for it, to produce a â€Å"speaking film†. All the while, Don falls in love with aspiring actress Kathy Selden. Dona and Kathy must keep theirShow MoreRelatedThe Musical Theatre And Film1607 Words   |  7 Pagesaffected the creation of this art form?) Musical Theatre is a form of theater combing music, songs, and spoken dialog, which can be traced back to the theatre of ancient Greece. The music and dance were included in stage comedies and tragedies during the 5th century BCE. However, the music is disappeared in these eras for a long time, so that they had no real influence on the development of modern musical theatre and film. There is no serious effect of a musical theatre over the society and politicalRead MoreFilm Analysis Of Don Lockwoodssingin In The Rain1380 Words   |  6 Pagesthe Rain (Singin’ in the Rain 17:38). While Kathy was slightly off base when saying that all movies are the same, movies belonging to the same genre often do share certain conventions which author Bernard F. Dick discusses in his book Anatomy of Film and Tim Dirks confirms in his assessment of the genre for the American Movie Classics Company. What do one of the best musicals ever made and the newest musical to receive raving reviews have in common? With 64 years separating Singin’ in the Rain (1952)Read MoreThe Art Of Gene Kelly And Stanley Donen Essay1690 Words   |  7 PagesThe iconic work of Gene Kelly and Stanley Donen, the directors of Singin’ in the Rain, has lasted for over 60 years. Produced by Metro-Goldwyn-Mayer (MGM) and released in April of 1952, Singin’ in the Rain showcases the talents of Gene Kelly, Donald O’Connor, and Debbie Reynolds. This musical motion picture provides a comedic interpretation on the transition that occurred in the 1920s when motion pictures switched from silent films to talking motion pictures. The transition was hard for numerousRead MorePlay Analysis : Play Dubliners 1187 Words   |  5 Pagesemotions to his readers. He has shown his interest in â€Å"musical literature† in his early work Chamber Music. (Joyce reference) However, in his later realism story collection Dubliners, he showed more interest in combining music and literature, s eeking more literary manifestations. Through â€Å"allusion† that †¦ (Abrams 10), music plays important roles in Dubliners. In this essay, I am going to examine the important roles of music in Dubliners by the musical allusions: it unifies the structure, deepens the themesRead MoreAnalysis Of Blue Ocean Floor841 Words   |  4 Pageswrote this song in the second person, and brought a new level of meaning to it by singing solo with only loops to support him. It seemed as if the man sung directly to the woman he loved, but Justin Timberlake made this song for an audience who could relate to such strong love. In Blue Ocean Floor, Justin Timberlake sings a story of a doomed but strong romance, while creating a great depth of meaning through musical and poetic devices. After the peaceful introduction, Justin Timberlake sang in falsettoRead MoreAnalysis Of Richard Lagravenese s Film, He Has The Couples2093 Words   |  9 Pagest believe it(Collider).† The quote backs up his views in the romance throughout his films. In his films, he has the couples’ relationships have their ups and down. Richard LaGravenese is known for bringing people’s true emotions out. LaGravenese is a unique director because he doesn’t focus his attention one thing but more on several things. He takes in all of the aspects of what it takes to make a film. He is extremely good at romance and dramatic films. LaGravenese is known for pulling people inRead MoreSymptoms And Treatment Of Alzheimer s Disease2254 Words   |  10 Pageshealth profession in which a board certified music therapist creates musical interventions to help patients of all ages and abilities reach a non-therapeutic goal in a non-threatening environment (Gregory). After evaluating the strengths and needs of each client, the board certified music therapist delivers the specified intervention including but not limited to creating, singing, moving to, and/or listening to music. Through musical participation in the therapeutic environment, clients capacitiesRead MoreThe Street Parties And Music Of The Favelas Of Rio De Janeiro1593 Words   |  7 Pagesthe favelas – consisting of street parties driven by a musical genre of dance and hip hop, which was developed in the favelas and influenced by Miami bass and African-style music, called funk carioca (Favela on Blast, 2008). The music makes frequent use of samples and looped tracks, often resulting in unoriginal content with minimal production. The music is identifiable as loud, sexual, shockingly vulgar, and focuses on subjects such as romance, sex, violence, humor, and social aspects of the favelasRead MoreIndia: One of the Leaders of the Film Production2656 Words   |  11 Pagesto life the most popu lar Indian literary work. Raghupathi Naidu was a pioneer and artist, leading to the production of silent Indian movies and talkies. Talkies changed the face of the cinema industry; actors needed a commanding voice as well as a singing voice. After this point, music was an essential point in all-Indian movies. Travelling across Asia promoting his work, he was the first to build cinema halls in Madras. The production of more films leads to the decrease of ticket prices, so that theyRead More O Brother, Where Art Thou? - From Greek Classic to American Original3139 Words   |  13 PagesO Brother, Where Art Thou? - From Greek Classic to American Original In the winter of 2001, American audiences initially paid little attention to Joel and Ethan Coens Depression era, jail-break, musical buddy comedy O Brother, Where Art Thou? The films reputation lingered, however, and over the next seven months O Brother eventually grossed a significant $45.5 million (imdb.com). Loosely adapted from Homer’s The Odyssey, the film focuses on Ulysses Everett McGill’s (George Clooney’s) journey

Marlowe Monologue Essay Summary Example For Students

Marlowe Monologue Essay Summary A monologue from the play by Josephine Preston Peabody NOTE: This monologue is reprinted from Marlowe: A Drama in Five Acts. Josephine Preston Peabody. New York: Houghton Mifflin Co., 1901. BAME: I saw thee first, Ay, from the first day when you cheated them With tales of old acquaintance, and made fond, And charmed the eyes of her, and took her heart, But for a whim. Oh, I was not far off! Tho\ you had made me a butt before them all, And turned her favor from the laughing-stock. Nothing to you it was! All other folk, Their homes, so many ant-hills! All the world A show for you, a cheaper show than yours; A pageant wagon,with the people, here, And overhead, their angels and their God, Another show! And you to laugh at all. Laugh, laugh! Whatever \t was, \t is all gone by, Never to laugh at more. But I can tell you, Oh, I can tell you, now it is too late, That she was pining for you. Now she\s wed. Alison\s gone! You will not have her now. Ah, now you are no more to her than I! The spell is broken. She would see you now But what you area strolling devilry, A knave and blasphemer, Athiest! So. You have heard it all. The wheel turns, and it shall grind thee too! Thou wilt not have her.

Romeo and Juliet has violence and conflict as one of its central themes Essay Example

Romeo and Juliet has violence and conflict as one of its central themes Essay If we were to think about the worlds greatest lovers, our attention would be immediately drawn to Romeo and Juliet. Why is this? Could it be because there love is so pure, so unspoilt? Or is it because the innocent couples lives ended so unpredictably? Are we intrigued by the role played by fate in the lives of every day people? Could it be that Shakespeare immortalised the couple in poetry that remains quite breathtaking in its intensity and beauty? Chance, destiny, and fate are all discussed in this play, because of the questionable theories of the time. Is it a popular story because of the universal themes: love, hate and death? The story starts with a boy and girl, Romeo and Juliet, who fall in love after seeing each other at a ball. To their horror they discover that their families are sworn enemies. They get married secretly, because of Juliets arranged marriage with Paris. Romeo gets banished forever for taking tybalts life. The lovers part, having spent the night in each others arms. The Friar explains how Juliet can escape from her coming marriage to Paris by taking a poison to fake death. Later that night Juliet takes the poison alone in her room. The Nurse discovers Juliets dead body the following morning. In Juliets tomb a despairing Romeo takes Poison. The star- crossed lovers are united at last in death. We will write a custom essay sample on Romeo and Juliet has violence and conflict as one of its central themes specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Romeo and Juliet has violence and conflict as one of its central themes specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Romeo and Juliet has violence and conflict as one of its central themes specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The story of Romeo and Juliet had been around for along time before Shakespeare decided to set it as a play. The story of the tragic lovers was said to have originated in Italian myth and folklore, finding its way to England via France. The story of Romeo and Giulietta appeared as a poem by Arthur Brooke. Also William Painter wrote Romeus and Juliet in a prose version. Shakespeare took what had come to England as a poem and transformed it into a play. Shakespeares play is set in Verona in about the 12th or 13th century. The play takes place in mid July. The playwright uses the heat of the mid summer to heighten a constant sense of irritability. This increases the tension as the characters become involved in the action. Shakespeare also chooses an urban, wealthy and sophisticated setting because it allows him the opportunity to portray a wide spectrum of society. It is because of this that English people are interested in the film, also by the art and culture of the Renaissance. Conflict is a common thing in Romeo and Juliet. When the play opens we find ourselves in a world where gangs roam the streets in search of trouble from rival gangs. The conflict is not only between the masters but also with the their servants and those loyal to the families. Both families fight for the number one position within the city-state. Private conflict exists in the main characters, the life or death decisions causes high amounts of anxiety and tension. The lovers in the story are placed with a lot of conflict and decision-making. Romeo makes a quick decision to fight Tybalt, then his decision to accept banishment, also what to do when he hears of his wifes untimely death, finally his decision to die with Juliet in the tomb. Juliet has the worry of the arranged marriage, the worry that her formerly trusted are no longer her allies, leaving her alone to make the decisions. She faces all sorts of imagined possible horrors before taking the poison finally there is the decision whether to live without Romeo are to die with him. The Nurse finds herself in a similar state of conflict, with who should she side with, the family or Juliet. She resolves the conflict by siding with the family. Inner conflict comes from Friar Lawrence with the decision between what is right and what is wrong. He also deserts Juliet, which he shows remorse for. Shakespeare uses the inner stress of the characters to motivate their often outrageous but understandable actions. When act 1 scene 1 opens we immediately get the sense of underlying frustration. The characters use playful banter at the beginning to show how close they are to each other. Every time Sampson says something, Gregory replies using a pun, .well not carry coals. .no, for then we should be colliers. Shakespeare uses Homophones when he talks about, choler and collar because it adds humour to the play and eases the tension created. Although at first Sampson and Gregory are only playing, the mood shifts and the argument changes to being serious. Gregory says hes not scared and he will stir up the tension. I will frown as I pass by, and let them take it as they wish. This shows that Gregory is being very loyal to his masters. When Abram comes into this scene he builds up the tension. Do you bite your thumb at us, sir? This is threatening because of the rude gesture behind the biting of the thumb. Abram also stirs trouble when he says Quarrel, sir? No sir. This repetition of sarcasm would frustrate Sampson. Conflict carries on through to lines 55-62, but is controlled by Benvolio, playing the part as the peacemaker. From which he stops a verging fight He uses language that is persuading, to stop them from fighting. Put up your swords, you know not what you do. He uses language that you could imagine being said to a child. You know not what you do. This is persuading because they would realise how juvenile they are acting. This is proven when Tybalt replies in an incredulous tone, . I hate the word, all Montagues, and thee. This reply results in another fight with all the men involved. Every time Tybalt comes into the scene you can normally tell. The mood shifts changing to tense and anxious. Have at thee, cowards By this Tybalt is insulting Benvolio, Abram, Sampson and Gregorys masculinity. This shows Tybalts power and confidence. He is never afraid of voicing insults. When the Lords come into the scene they are aware of the present conflict and draw their weapons. . Give me my long sword This shows the high intensity of hatred between the families showing that they wouldnt hesitate to kill the other. Lady Capulet mocks what her husband has said, a crutch, a crutch this implies that he is old and needs a walking stick rather than a sword. This adds humour to the tense scene making the reader laugh. .Thou villian Capulet says Lord Montague. This is a huge insult for someone to say, implying he is a peasant. The prince tries to restore the peace into the two families by making them aware of the consequences, . Once more on pain of death, all men depart. The prince is telling the two families that if they dont obey his command they will die. He says this because he is fed up with the conflict in the streets of Verona, and wants it stopped . Your lives shall pay the forfeit of the peace. The mood the prince creates is angry but also tried of this pointless feud. Three civil brawls bred of an airy word. Act 3 scene 1 is a pivotal scene in terms of heightening tension and showing the theme of conflict to the fullest degree. It begins with Benvolio setting the scene. These hot days is the mad blood stirring Here, the use of pathetic fallacy creates a tense atmosphere. The hotness of the day represents the temper and frustration of both families, and therefore ensures that there is a sense of unease from the start. Benvolio tries to reconcile the situation, Am I such a fellow? Here it shows Benvolio as the peacemaker again. He tries to calm the situation. . When indeed there is no need. There fore there is no need to fight. Mercutio creates a lighter mood at the start from mocking Benvolio. Thou art as hot a jack in thy mood as any in Italy. This suggests that Mercutio isnt as hot headed, as he seems. When Tybalt enters the scene the mood shifts slightly, he creates tension from being polite and sarcastic at the same time. But also Tybalt seems Machiavellian from the start, . Gentlemen, good den, a word with one of you. Here he seems sarcastic and brooding. This is to patronise Mercutio without getting the blame for starting the fight. The duel between Mercutio and Tybalt is mainly because of misunderstanding. Mercutio takes the patronising words from Tybalt badly, resulting in an argument between them. . Couple it with something, make it a word and a blow. This is suggesting that they fight. Tybalt winds Mercutio up by saying, Mercutio, thou consortest with Romeo. This suggesting that Romeo is his partner, which could be frustrating. He twists the word consort and gives it another meaning Consort? What, dost thou make us minstrals? This shows Mercutios quick thinking and intelligence. Shakespeare changes the mood again when Romeo enters, creating an anxious mood, with Tybalt patronising Romeo. Well peace be with you, sir. Here comes my man. Mercutio again deliberately misunderstands him, and twists his words, Go before to field, hell be your followers, your worship in that sense may call him man.' Tybalt insults Romeo greatly by saying Thou art a villain. Meaning you are a peasant. This would insult a man of noble birth like Romeo. Romeo ignores this comment because he doesnt want to fight with him. Instead Romeo replies using lots of dramatic irony. I have to love thee. Romeo tries to make the peace because he realises that he cant fight with someone who is nearly family to him. Therefore farewell. Tybalt doesnt realise what Romeo is implying Boy, this shall not excuse the injuries. Boy used to patronise Romeo and to insult him, making it clear that he doesnt think highly of him . Good Capulet, which name I tender as dearly as my own. This gives an impression that Romeo wants Tybalt to know about him and Juliet, but his words are mistaken with sarcasm. Mercutio is disgusted with Romeo, Allo stoccata carries it away. He uses the Italian fencing word as a name for Tybalt. Tybalt is suspicious of whats being said, What wouldst thou have with me? Mercutio repeats, a plague o both your houses Several times before he dies. This seems like he is foreseeing the future and by repeating it, it makes Romeo and Tybalt and the audience aware. Romeo talks using dramatic irony after Mercutios death. Hath been my cousin. He says that the events that had happened and falling in love had made him soft. O, sweet Juliet and in my temper softend valours steel! His language here seems strong, even after his friends death. This changes when Benvolio enters, This days black fate on mo days depend. He uses the colour to represent the gloom from that day and the days to come, . This but begins the woe others must end. He uses a rhyming couplet to finish what is being said. Tybalt enters; both Benvolio and Romeo know that the trouble isnt over. . And fire-eyd fury be my conduct now! Romeo uses alliteration to show his emotion. Saying that he is going to let his anger guild his actions. Tybalt is emotional and rises to the challenge. Thou wretched boy, that didst consort him here, shalt with him hence. This causes them to fight and Tybalt falls dead. Benvolio tries to be the peacemaker, he advises Romeo to be gone because he knows what the Prince will do when he finds out. Romeo feels guilty for what he has done, O, I am fortunes fool. Here the use of personification could have been mistaken for humour. When the Prince enters you can sense his anger, Where are the vile beginners of this fray? The Prince asks Benvolio who began this bloody fray? he asks Benvolio because he trusts that he wouldnt lie. The Prince hears all the evidence and comes to his decision And for that offence immediately we do exile him hence. He will banish him for his wrong doings. The Prince uses blank verse to show how serious he is being. Mercy but murders, pardoning those who kill. In fewer that a hundred lines into the play, Shakespeare has created an atmosphere of tension where the least word or gesture can trigger off unthinking violence which is shared by the entire community- old and young alike, whether they are the lowest servants or the respected heads of noble families. Also in act 3, Romeo forgets his new bride for a moment and takes his sword to attack her cousin in an act of vengeance for the death of Mercutio. Prince Escalus hears of the sequence of events from Benvolio, he promises strict justice. To banish Romeo, let Romeo hence in haste, else when he is found, that hour is his last. He can do neither more nor less than this. All though the play there is violent language, which goes with the violent behaviour of the Montagues and Capulets. A dog of the house of Montague moves me. Language like this is carried on though the play, showing the conflict. It is the conflict which is in the way, right until the end, where sadly the conflict is resolved though the deaths in both the two families. In conclusion it is the conflict and violence that makes the play what it is. In terms of exciting, enthralling and basically loved by many.

Heart Rot Tree Diseaseâ€Prevention and Control

Heart Rot Tree Disease- Prevention and Control In trees, heart rot is caused by a fungal disease that causes the center of the trunk and branches to decay. The most obvious symptom is the presence of mushrooms or fungal growths, called conks, on the surface of the trunk or limbs. Most hardwood species can be afflicted with heart rot, and it can be a major problem for the logging and lumber industry since the center heartwood is the most valuable wood in a hardwood tree.   Causes of Heart Rot in Trees Heart rot in living trees can be caused by many different fungal agents and pathogens that can enter the tree through open wounds and exposed inner bark wood to infiltrate the center core of the tree- the heartwood. Heartwood  makes up most of a trees inner wood and support structure, so over time, this rot can cause the tree to fail and collapse. Heartwood cells have some resistance to decay but depend  on a barrier of protection from the bark and outside living tissue. Heart rot can occur in many hardwoods and other deciduous species but is especially common in oaks infected with the  I. dryophilus  and  P. everhartii decay fungi.  All deciduous trees can get heart rot,  while resinous conifers have some extra resistance. More on Heartwood It should be noted that heartwood is genetically programmed to spontaneously separate from living wood tissues that surround it.  Once heartwood formation has begun to lay down annual layers and increase in volume, the heartwood quickly becomes the largest part of the trees structure by volume.  When that living barrier of protection surrounding the heartwood fails, the resulting disease in the heartwood causes it to soften. It quickly becomes structurally weaker and prone to breakage. A mature tree that has a large volume of heartwood is more at risk than a young tree, simply because its heartwood constitutes more of its structure.   Symptoms of Heart Rot Usually, a conk or mushrooming fruiting body on the surface of the tree is the first sign at the site of infection.  A useful rule of thumb suggests that a cubic foot of inner heartwood wood has decayed for each conk produced- there is a lot of bad wood behind that mushroom, in other words. Fortunately, though, heart rot fungi do not invade living wood of healthy trees. Other than the resulting structural weakness heart rot creates, a tree can otherwise look quite healthy even though it is riddled with heart rot.   Economic Costs Heart rot is a major factor influencing the  economics of logging high-value lumber, although it is a natural  consequence in many older forests. The heartwood of tree is where the valuable lumber exists, and a badly rotten tree is of no value to the timber industry. A hardwood tree that lives long enough will likely deal with heart rot at some point, since it is a natural part of the trees life cycle, especially in native forests. A very old tree will almost certainly suffer storm damage at some point that will allow fungi to enter and begin the process of heart rot. In some cases, entire forests may be at risk if, for example, a catastrophic storm has caused major damage at some time in the past. The fungi spread very slowly within a tree, so it may be many years after the initial fungal infection that serious weakness becomes evident.   Heart rot is prevalent throughout the world, and it affects all  hardwood  trees. It can be very hard to prevent and control, although a tree that is carefully monitored over its entire lifetime may avoid it.   Prevention and Control of Heart Rot As long as a tree is growing vigorously, rot will be confined to a small central core within the tree. This behavior is called tree wood compartmentalization. But if the tree is weakened and fresh wood exposed by severe pruning or storm damage, decay fungi can advance into more and more of the trees heartwood. There is no economically feasible fungicide to use on a tree that hosts the heart rot fungi. The best way to prevent heart rot in your hardwood tree is to keep it healthy using proper management techniques: Minimize pruning wounds that expose large areas of wood.Shape trees at an early age so major branch removal will not be necessary later.Remove broken branch stubs following storm damage.Have trees you suspect of heart rot checked by an arborist to determine if sufficient live wood is present for structural safety.Check trees every few years to be certain new growth is maintaining a  sound structure. Large trunks and main branches with extensive decay may have little sound wood to support the tree.

Nuclear proliferation in North Korea Essay Example | Topics and Well Written Essays - 2500 words

Nuclear proliferation in North Korea - Essay Example In assessing the constitutionality of North Korea’s nuclear schedule and possible US reactions, below are the several universally identified origins of international statute that may have application: International conventions, whether universal or specific, developing policies clearly distinguished through the disputing governments International custom, as proof of a universal exercise allowed as statute The collective conventions of statute identified through civilized countries Subject to the requirements of Article 59, court conclusions and the philosophies of the majority of the greatly eligible publicists of the different countries, as supplementary ways for establishment of policies of statute. International conventions An example of a convention that applies particularly to nuclear weapons is the Non-Proliferation Treaty (NPT). North Korea became a party to the NPT in 1985 and departed during January 2003. NPT Articles 2, 3, and 10 have in total possibly had infringeme nt through North Korea. Article 2 requires: Each government, which is a member of the NPT, agrees not to collect any load from any of nuclear weapons or supplementary weapons. ... North Korean item for more enhancing uranium, a North Korean official accepted that North Korea â€Å"had remained following the establishment of nuclear weapons by the method of more uranium enhancement†. Despite North Korea finally attempting to deny this acceptance, the international society greatly overlooked these protective arguments and established the proof versus North Korea to be enough (Beres, 1994). To carry out deeds of nuclear terrorism, insurgent or revolutionary teams could need view to nuclear weapons, nuclear supremacy plants, or nuclear dissipate storeroom items. More proof of North Korea’s infringement of the NPT’s veto on producing nuclear weapons emerged in 2006 when, â€Å"North Korea carried out a secretive nuclear blast in the neighborhood of P’unggye†. This assessment heavily proposes that North Korea infringed the NPT’s veto on producing nuclear weapons whereas yet a member to the agreement since the assessment blas t illustrated that an enhancement schedule should have had progress for a long duration. North Korea has in addition possibly infringed Article 3 contained in the NPT. The Law of the IEAE â€Å"provides technological and monetary aid in the establishment of nuclear capacities for non-stipulated aims to Party Governments†. Moreover, the IAEA carries out examinations of Party Governments nuclear items to make sure that such items have no application for armed forces functions. No matter a government not remaining a member to the IEAE Law, the NPT orders that every member complete a protections treaty with the â€Å"IAEA†. In agreement with its duties found in Article 3, North Korea joined into the Protections Treaty with the IAEA on January 1992. Following the Protections Treaty, if North Korea always prevented examiners access

Ethics Essay Example | Topics and Well Written Essays - 1250 words - 4

Ethics - Essay Example As per his analogy, there exists three social classes; the noble, slaves and priestly class. Guided by their subjective inclinations, the noble class defines morality by rendering what they perceive as being favorable to be good and vise versa (Nietzsche, 2010 p. 167). Conversely, those in the slave class remain oppressed by the distinctions made by the noble class; whereby, they live a resigned life serving the nobles with any attempt to progress thwarted. However, Nietzsche recognized that not everyone outside of the noble class remain passive to oppression by the noble class. They belong to the priestly class characterized by their hatred for those in the noble class, and unwillingness to accept a lower position in the social hierarchy (Nietzsche, 2010 p. 171). As a result, they developed a feeling of ressentiment conjured up by a â€Å"slave revolt† mentality. Nietzsche defined ressentiment as a reactive feeling to a continuous perceived sense of oppression; whereby, pent up frustrations predispose individuals to creating an â€Å"imaginary place† where they can direct these feelings. Discussed below is the origin of this psychological orientation, ressentiment’s role in shaping attitudes held by people today, whether individual’s values stem from this attitude and avenues for transformation to become better (Nietzsche, 2010 p 172). Nietzsche referred to ressentiment as a psychic mechanism. Psychic mechanisms are products of the ego, which result from the ego’s need to protect itself from a situation it perceives as a threat; for example, situations that impact the mood and affect of an individual negatively. Psychologist Sigmund Freud later referred to these psychic mechanisms as defense mechanisms and added more; for example, denial, regression, sublimation and displacement among others. According to him, defense mechanisms acted as coping mechanisms for individuals. Moreover, they functioned to prevent a state of incong ruence within an individual. Nietzsche’s ressentiment feeling is no different from Freud’s defense mechanisms because they all function to protect the individual and ensure minimal interference with their internal state of balance. Normalcy in a person’s psychological, physiological, cognitive, spiritual and social realms can only be achieved in the presence of internal balance. In this case, ressentiment functions to preserve balance by providing an outlet for pent up frustrations (Nietzsche, 2010 p. 173). In spite of the good brought about by psychic mechanisms, they also prove unfavorable in the sense that they function to distort reality by cocooning an individual; therefore, preventing them from dealing with unfavorable situations. Ressentiment as a reactive feeling provided an outlet for pent up frustrations; however, it failed to equip the slaves and priests with the strength they needed to overcome the nobles. In fact, the dynamics in the social hierarch y remained unaltered with the nobles living in their blissful state whereas their subordinates living in their pitiful state. People living in today’s society have not undergone a huge transformation in their mindset. In fact, many find themselves taking the easier way out, cowering from confronting issues. This is because stratifications in different aspects of the society are still in present. Arising from these stratifications in the society is a privileged class equipped with resources and the power to define morality in its entirety. The underprivileged, subordinate class